In 1983, Japanese designer Issey Miyake told The New Yorker
that he aspired “to forge ahead, to break the mold.” With the boundary-defying fashion
lines that followed, he not only broke molds, but recast clothing altogether. With a unique fusion of poetry and practicality
, his creations blur the boundaries between tradition, modern technology, and everyday function.
This definitive history of Miyake’s clothes coincides with a major exhibition at The National Art Center, Tokyo
to offer expert insight into the designer’s vision and daring.Initiated and conceived by Midori Kitamura
, the book looks at the texture-driven originality of Miyake’s materials and techniques from the very earliest days of his career, before he had even established the Miyake Design Studio. Drawing on more than 40 years of collaborative work with Miyake, Kitamura creates an encyclopedic reference of his material and technical innovations
through the clothes based on A Piece of Cloth
concept, Body Series
of the 1980s, Miyake Pleats
series, and such practical, everyday designs as Pleats Please
Stunning photographs from Miyake’s contemporary Yuriko Takagi
capture his clothes in their particular quotidian originality, including a breathtaking shoot in Iceland. In her far-reaching essay, meanwhile, leading cultural figure Kazuko Koike
offers both acomplete chronology
of Miyake’s work, and an unprecedented personal profile, looking at the ambition and inspirations that have driven his repertoire
from tender teenage years. A must-have for designers, students and fashion devotees, this is a timeless tribute to one of the most innovative makers of our age.